Collection

After Dark: The 1983 Volume Study

This one's about the friction, really — underwear worn as outerwear, a cropped shape sitting hard against dance-floor stretch. I kept one anchor in each look, usually the metal, and let the rest of the silhouette move around it. Nothing here is a costume; it's the logic underneath one, changed enough to wear on an ordinary night. Pointed shoes throughout, because the whole thing needs somewhere sharp to land.

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